Is this a question of sloppiness, or did the composer actually want the maximum variation in the note groupings? For instance, do you build up the climax leading to the end of the prelude tempestuously or with an even flow? And how should the bowing be done? The Anna Magdalena Bach manuscript in which these suites have been handed down notates the slurs above and below the notes very freely and with apparent inconsistency. This most friendly of suites is suitable for beginners and amateurs, even though it presents challenges to professionals as well. The first bars are dominated by the single G, D and A strings, resulting in great resonance. The cellist begins the well-known, comforting prelude in a gentle, radiant G major. Bach’s first cello suite became his most famous one.
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